Master of Letters in Painting and Printmaking, Glasgow School of Art

I am a contemporary figurative painter, having recently completed a Master of Letters in Fine Art Practice at the Glasgow School of Art. My current body of work explores queer identity through a deeply personal lens. Using oil on canvas, I reflect on moments of resilience, vulnerability, and the evolving sense of self.

The work is shaped by my experiences of growing up during the late 1970s and 1980s, when being a gay man often meant navigating a double life. I respond to the societal and political pressures of that era—forces that sought to suppress queer lives through targeted shame and rigid ideals of family and masculinity.

Now, later in life, I find myself discarding the shame I once carried for simply being who I am. Painting has become a way to examine that internalised shame, and to let it go. It’s an act of reclamation—of self, of story, and of space.

The figures in my paintings are either anonymised or self-portraits. This allows me to shift between emotional distance and direct self-examination, deepening my connection to the work while inviting viewers to reflect on their own experiences of identity and belonging.

Using figure, colour, and space, I construct compositions that explore the emotional impact of those years—the damage endured, and the quiet strength that emerged. The domestic and internal spaces I depict serve as sites of memory, tension, and quiet resistance. Some works are overtly autobiographical; others speak to shared queer experience, rooted in survival and the pursuit of joy.

In the Studio

Short clips of work in progress, most recent first.

Painting Unforeseen Consequences, April to May 2026 — the stages gone through to reach this point. To be continued...
The underpainting continues, in places fat going onto lean. January 2026. Runtime 54 secs.
Underpainting the composition of the next untitled painting. January 2026. Runtime 1 min 52 secs.
Preparing a 140 × 180 cm canvas for the next painting in the Queer Reflection body of work.
Starting to sketch the composition for Revelation in earth green. As always, I adjust and reassess as I go — it’s important to establish the key lines first.
Continuing in earth green with the composition sketch for Liminal Comfort. You may spot a few objects in the sketch that never made it to the final painting.

News & Features

Featured artist interviewArt & Ideas, Philadelphia, Summer 2026.

Degree show reviewArtMag UK, September 2025.